Just when you think you’ve seen every possible technique in puppet staging, along comes something entirely different.
An ambitious odyssey, using the character of Galileo to explore the concept of a self-centered universe versus a universe where humankind is only one of many centers.
Why reviews of puppet shows are important.
Ionesco’s brand of absurdity is sophisticated; to appreciate his twisted logic you have to be familiar with the convention that an absurdity is based on.
It’s the script that makes this production soar.
Like the living dead who walk the Earth suspended between two worlds, Deborah Hertzberg’s adaptation of the Dracula story defies classification.