A wordless, tabletop, solo show embodies the quality of lyrical irony.
A collection of stage and screen shows reviewed by Donald Devet and guest reviewers.
A wordless, tabletop, solo show embodies the quality of lyrical irony.
It is every detail that makes this show so compelling. It is the sculpts, and the builds, the painting and the writing, the manipulation and vocal and physical performance.
Through Cui’s lens, we are able to glimpse a hauntingly beautiful example of ancient Chinese cultural practice before it vanishes into the shadows.
The poetry of “Still Life” lies within its page turns, allowing us to savor the deliciousness of the absurdity before turning to the next morsel.
It is remarkable to see a live puppet show that has such detail and character development and moves at a fast pace.
…something grand and beautiful using simple and theatrical means.